Sorry to keep blabbin’ on about bras but what I’ve never understood is why the underwire couldn’t just, like, have a few perforations in it so it could be actually STITCHED into its sleeve. Am I vastly underestimating the complexity of underwires?
YOU NEED TO PATENT THIS.
IT COULD CHANGE EVERYTHING. (Except how wires feel like a steel trap around the ribs after 8 hours.)
This is really interesting! I wonder, though, how those holes would affect the strength or stability of the underwire itself. Like, if it’s weaker, it might snap more and I don’t want any of that near my breasts! LOL
Why are they flat metal to begin with? Could they not be tubular? Softer, and rounded edges would prevent them from poking out. Or some sort of plastic, or eco-friendly, renewable material?
Fuck Yeah Queer Latin@s in Books!
- Trauma Queen by Lovemme Corazón
- Chulito by Charles Rice-Gonzalez
- Down to the Bone by Maya Lazara Dole
- City of Night by John Rechy
- The Rain God by Arturo Islas
- The Dirty Girls Social Club by Alisa Valdes-Rodriguez
- The Cha Cha Files: A Chapina Poetica by Maya Chinchilla
- Their Dogs Came with Them by Helena Maria Viramontes
- Make Love to Rage by Morgan Robyn Colladooc
I’ve got 99 problems and they’re all loneliness.
Anonymous, asked a question:
i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism.
all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out.
here’s 2 of my favourite scenes from the trailer:
from top to left to right:
KEEP CLEAN 保持清潔，APPLE 蘋果，ONION 洋蔥，GRAPE 葡萄，
CHAIR 椅子EDIT: sorry it says ORANGE 橘子，TOMATO 番茄
traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.
it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.”
lucy shoots a guy for not being able to speak english.
she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english.
just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries.
let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.
this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day.
if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?
i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay.
i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media.
as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world.
feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality.
After 40 years of impoverished black men getting prison time for selling weed, white men are planning to get rich doing the same things. So that’s why I think we have to start talking about reparations for the war on drugs. How do we repair the harms caused?
Always reblog, because I’ve noticed the media salivating over all these *white* weed entrepreneurs for being so “ingenious” and “savvy businessmen”, while ignoring the the mostly Black, Brown and poor victims and survivors of Amerikkka’s “War On Drugs”, and the ongoing racist and classist injustices that keep locking away Black, Brown and poor people in masses while giving white people who commit the same offenses less or no jail time at all.
And it costs like $8,000 non-refundable application fee to even get started running a legal weed shop.
WHO had access to that kinda money?
Doesn’t sound as calming in playback.